“Devil In The Mirror” has dashes of Al Jourgensen’s industrial rockers Revolting Cocks, while “Stolen Omen” features some Mastodon-sized riffs and some throat-shredding vocals but again, both soon slide back into familiar territory.īlack Veil Brides IV is a frustrating album because it suggests that Black Veil Brides are capable of stretching themselves beyond the hair metal and emo clichés. “Faithless” starts with the kind of helicopter drumming that brings to mind underground metal-heads Wolves In The Throne Room but it’s fleeting. Perhaps Biersack isn’t the martial type after all.Īgain and again, the tunes on Black Veil Brides IV look like they might be about to do something interesting before the band lose their nerve and revert to the unthreatening bluster of corporate hard rock. The cover artwork for 'The Phantom Tomorrow' was created by. BLACK VEIL BRIDES and Incendium have announced the launch of 'The Phantom. 'Weve tapped into some of the influences that, as songwriters, we. black veil brides in - News, CD Reviews, DVD Reviews. The BLACK VEIL BRIDES went bigger in the range of musical influences they drew from this time out. The CD was released on Jvia Standby Records. At which point, a tune that had been characterised by riffs aplenty and looked like it might be going somewhere, lurches into weedy soft rock territory for the chorus and then a bout of Eddie Van Halen-style guitar fretboard noodling. BLACK VEIL BRIDES first album, 'We Stitch These Wounds', opened with nearly 11,000 units to enter the chart at No. I’ll bring the war” declares vocalist Andy Biersack on “Heart Of Fire”.
Black Veil Brides IV is, unsurprisingly, the band’s fourth album and sees them taking on the woes of the world with a bagful of jolly ditties going under titles such as “Drag Me To The Grave” and “World Of Sacrifice”.
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