Electra made a bolt-neck Gibson V copy from 1974 to the early 80s, and Hetfield’s allusion that the guitar was made in the late seventies or early eighties, and has a bolt-on neck, means it could well be made by Electra. Interestingly, in a recent interview with James Hetfield of Metallica, he claims his iconic battered Gibson Flying V copy he has used from the start of his career was made by a company called “Elektraâ€. This one is in a natural finish and is possibly an earlier model due to the inclusion of a scratchplate. This model featured an ash or maple body (the one for sale looks maple to me), and two coil-tapped humbucking pickups. The one featured on the site, I believe to be a Phoenix X135 model.
#Electra westone guitar series#
The Phoenix was the best known of Electra’s original models, a vaguely Strat-shaped guitar available as a series of 10-15 different models. In 1983 or so the Electra brand was dropped by SLM in favour of another brand made in the same Matsomoku factory, the better-known Westone, one of which, as you may know, has eventually ended up in our possession. Louis Music of Missouri during the 1970s up to the mid 1980s. I did some research and found, through the Westone Info link at the bottom of this page, a whole website dedicated to Electra here Īs it turns out, the brand was exclusively made up of well-built Japanese guitars, mostly copies but with some original shapes, most notably the Phoenix series.
Allen "Free Bird" Collins of Lynyrd Skynyrd.Peter Frampton - Peter Frampton's Official Site.It did nothing except send a fairly weak clean guitar signal to headphones via the jack.Įndorsers of Electra guitars and basses This mini amp was actually the number 11 Module, Frog Nose. In the assortment of modules offered was a "Mini Amp" module, which contained no effects but was a headphone amplifier for the guitar. The most notable was the Super Rock, which was a Les Paul copy. There were a total of 18 guitar models which carried MPC circuits. Today the unusual thing is that the effects are on board, but even offering electronic effects to consumer musicians was fairly new at the time and offers an interesting alternate way to do it. In 1976 Electra MPC (Modular Powered Circuits) models featured a pair of cartridge slots in the guitar body, which allowed effect modules to be plugged in and controlled from the front of the guitar. 3 Endorsers of Electra guitars and basses.More about the current company and their guitars, basses, accessories and merchandise can be found at their official website Electra Guitars After rave reviews and a growing roster of artist endorsements, Electra Guitars unveiled a number of new models in 2014 including the Invicta, Talon, Phoenix H & S Guitars and the Phoenix Bass. The first model available was a reissued and updated single cutaway Electra Omega, followed by the Omega Prime. In 2013 Ben Chafin, former head luthier at Dean Guitars, acquired the rights to Electra Guitars and is now producing new Electra Guitars. The same qualities make them popular among collectors today.
However, the brand never entirely lost its association with inexpensive 'copy' guitars and the brand name was transitioned to Electra Westone in 1984 and Westone in 1985. Later, as all models came to be made by Matsumoku, Electra guitars offered high quality at competitive prices. As a result, early models especially vary in details and quality. Electra Guitars - Wikipedia From 1977 to 1982, he used a signature on-board effects MPC model guitar, created by the Japanese company Electra. Unlike most other brands of imported guitars which were sourced from a single manufacturer, Electra guitars were ordered from all the Japanese factories and distributors. However, the brand never entirely lost its association with inexpensive copy guitars and the brand name was transitioned to Electra Westone in 1984 and Westone in 1985. In 2013, the brand launched a successful comeback led by renowned luthiers Ben Chafin and Mick Donner. Electra was a brand of electric guitars and basses manufactured in Japan and distributed in the US by two companies owned by brothers: Saint Louis Music (SLM) and Pacific Coast Music in the 1970s and early 1980s.
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